Nate Faust
is a graduate of the MFA Acting program at The New School for Drama. His New School
credits include: Max, in Gabe McKinley’s Extinction; John Proctor, The
Crucible; Johan Toennesen, The
Pillars of Society; Man, The
Blue Room (59E59). NYC credits include: Nan , Punk Rock/Love Song
(Horse Trade Theatre Group); Ferd, American
RoyalJourneymen (Samuel French Play Festival); Jerry, (The Mekka Collective); and Ira, in Paul David
Young’s David & Ira. Look
for his latest project, 4 Faces,
screening at film festivals this year. www.natefaust.com
- You’ll be performing in Laura Maria Censabella’s Posing as part of our upcoming production of A Girl Wrote It. Can you tell us some of your initial thoughts about the piece? How are rehearsals going?
I immediately fell in love with the story
of Posing. It jumped out to me
as a dark fairytale that occurs within the time and space of today and has real
consequences for the characters involved. The character of Pete has so much
depth and humanity that he feels bottomless at times. There is always another
nook or cranny to explore as he finds new places to push his emotions. Rehearsals are amazing. Laura's dialogue is razor sharp and there
isn't a wasted word or breath. It feels like every moment is about to burst
into a million pieces. Working with Dana is always an honor and Tim has led us in
all the right directions to explore these characters honestly and give them the
dignity that they deserve.
- When did you know that you wanted to be an actor? How did you get started?
I love film, especially the
films from my childhood. Back to the
Future, Indiana Jones, Ghostbusters and Top Gun (yes, Top Gun)
basically solidified my early childhood fascination with film. My interest (and
taste) in film has broadened a bit since my childhood days, but those films
always remain close to my heart.
- Who or what do you consider to have been your biggest creative influences to date? Why?
From the moment I started acting, I have been obsessed
with the craft of acting. But
since my childhood, I have been obsessed with the world around me (e.g. people,
relationships, conversations). Everyone has a story and to me, that is
fascinating. As far as direct creative influences, that would have to be the
amazing group that I was lucky enough to study with at The New School for
Drama. The list of faculty goes on and on, and each and every one of them
influenced my craft and creativity. I can never thank them enough.
- What is your favorite part of the creative process before you perform for an audience? Do you have a particular pre-show ritual that you engage in before curtain? If so, can you share it with us?
I love the work. Making choices and seeing what sticks. For
me, it starts and ends with collaboration. It takes many talented people
working together before we get to an audience. My pre-show ritual
changes for every project usually evolving out of the specific rehearsal
process. Coming out of rehearsal, I tend to be pretty methodical with my
preparation for a particular performance. No shortcuts.
- I believe this is your first time working with Wide Eyed. We’d like to get to know you a little better. Could you tell us a bit about what you like to do in your spare time?
I spend most
of my free time thinking of ways to occupy my free time. I don't like to sit
too long without a project. Like I said, I love film. That's where my mind
usually wanders. What's a good idea for a short film? Also music, video games
and sports bars.
- Are you working on any additional projects at the moment? Care to share with us?
Hopefully.
No comments:
Post a Comment